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  About Habib Naqash

By Yusuf Jameel


There are few lessons for a news photographer to learn from.

Apart from being trained in the techniques of his craft and incidentally the digital photography, computers and the wonders of Internet have revolutionized the job he should do his homework as thoroughly as the reporter. He must have some idea what his picture is going to be; but as the reporter is for all time on the lookout for new angles and developments of a story, so the photographer will have one eye on the unusual and curious picture.

But it is a universally acknowledged fact that the news photographer has one of the most difficult jobs in journalism. And who else knows it better than a Kashmiri news photographer does? Otherwise also, the reporter may observe an incident or a situation over a period of time, even if it is only seconds; he then mulls over what he has seen, and writes his report. The photographer must anticipate the key moment, have his camera poised to catch it, and then press the button at precisely the right second. You cannot turn back time to recapture a missed moment; and the occasions on which the press photographer can pose his subject are rare. Coming back to Kashmir; the place often referred to as being the ‘Paradise on the Earth’ for the natural beauty and the grandeur it presents-occupies a central and one of the most strategic positions in Asia, being surrounded by big and small powers like Russia, China, India and Pakistan. Situated in the lap of the Himalayas, Kashmir’s dissimilarity also lies in its heritage and environment and its summer capital Srinagar in itself is a city of great antiquity.

Hence, Kashmir has always been a photographer’s delight. But as we all know, the job for a journalist in Kashmir, particularly the news photographer who is in the lookout of news pictures, turned more difficult rather risky ever since the dispute over the disputed Himalayan region burst into a major bloody conflict in late 1990s. For him everyday has been a struggle. The members of the fourth-estate here have endured undeclared censorship, imprisonment, attempts on their lives, or the assassination of a close colleague as a result of their efforts to report on the news. Some reporters landed in prison or their graves for writing the truth. Several journalists both from print and electronic media have fallen victim to this bigotry. In short, the strife has made Kashmir a difficult place to live in and quite a dangerous spot to report from. There is a thin silver lining between life and death when it comes to the performance for a journalist, especially new photographers who have no other option but to be as close to subject as possible.

Habib Naqash is among few brave news photographers who have accepted the challenge, notwithstanding their career has been marked by violent reprisals-beatings, imprisonment, grenade attacks and abductions. They have to withstand pressure from all parties to the Kashmiri conflict, which pits Indian security forces and government-backed militias against an array of guerrilla groups fighting for the state’s independence or its merger with Pakistan. The combatants view the local press as biased in favor of their adversaries and retaliate through violence and intimidation. To date, ten Kashmiri journalists have been murdered in the course of their work; in four of those cases the perpetrators’ identities remain unknown. Srinagar-based newspapers have frequently been forced to suspend publication under pressure from the various warring parties. And numerous local journalists have survived abductions. Apparently unmindful of this situation, “Where there is a scene, there is Habib Naqash.” “This omnipresent photographer,” wrote a Valley Post a English weekly recently, “is born to shoot.” The story of how he treaded on the path of photojournalism is evenly fascinating.

Born in a respectable family in downtown Srinagar, Habib after being to a community school refused to pursue his studies and told his parents that he wanted to become a professional photographer. After remaining under the apprenticeship of a commercial photographer for two years in early 1980s, he relocated to Srinagar’s Urdu daily Aftab for a salary of Rs. 300 ($7) a month. “For the first fortnight or so at Aftab, I had no idea about what I was actually meant for. I just thought that someone else would get a photograph for me that I was supposed to develop,” he recalls. But two decades of experience in news photography has produced in him a matured photojournalist. As he has had several close encounters with death, Habib has today turned into a seasoned campaigner who knows very well to put aside all the nightmares when he is in the field. This Website would be apart from illustrating the footage from Kashmir mainly from Habib and making thousands of sophisticated eye-catching images available for online ordering promote the highest standards of photojournalism.

 



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